Susan Meiselas
SUSAN MEISELAS LECTURE
TUESDAY, MARCH 19, 7pm
Slocum Hall, Syracuse University
FREE and open to the public
Susan Meiselas is an internationally known photographer and a member of Magnum Photos. She was made a MacArthur Fellow in 1992. Her coverage of the hostilities in Nicaragua earned her a medal for outstanding reportage from the Overseas Press Club in 1979. She has had one-woman shows in New York, London, and Paris. In 1982 she was named Photojournalist of the Year by the Association of Magazine Photographers and received the Leica Award for Excellence. She is the author of Carnival Strippers, Nicaragua: 1978-79, Kurdistan: In the Shadow of History, Pandora’s Box, Encounters with the Dani, and In History. She co-edited El Salvador: Work of Thirty Photographers and Chile from Within.
In addition to her work in photography, she served as assistant editor on Frederick Wiseman’s classic documentary film Basic Training. Her photographs and writings about Nicaragua were also the source for the television film Voyages by Marc Karlin. Meiselas studied anthropology at Sarah Lawrence and has an MA in visual education from Harvard University.
Light Work/Community Darkrooms, the Department of Transmedia Studies in the College of Visual and Performing Arts, and the S. I. Newhouse School of Public Communications’ department of Multimedia Photography and Design are pleased to present this lecture by renowned photographer Susan Meiselas. This lecture is sponsored through the Division of Student Affairs, Co-Curricular Fees.
More info here.
EMILY VEY DUKE AND COOPER BATTERSBY THE BEAUTY IS RELENTLESS
THURSDAY, MARCH 21, 7:30pm
Lecture, book signing and reception
Watson Theater, Syracuse University
FREE and open to the public
The literary post-punk short movies of Emily Vey Duke and Cooper Battersby have been tearing up the festival/gallery circuit for the past fifteen years with their blend of bedroom pop, perverse animations and hopes for fame. The Beauty is Relentless: The Short Movies of Emily Vey Duke and Cooper Battersby is a collection of award-winning scripts, creative writings and critical missives by scholars, video legends and animal experts – including Steve Reinke, Sarah Hollenberg, Akira Lippit, and Tom Sherman.
Cooper Battersby (b. 1971, Penticton British Columbia, Canada) and fellow Department of Transmedia faculty member Emily Vey Duke (b. 1972, Halifax Nova Scotia, Canada) have been working collaboratively since 1994. They work in printed matter, installation, curation and sound, but their primary practice is the production of single-channel video. Their work has been exhibited in galleries and at festivals in North and South America and throughout Europe, including the Walker Center (Minneapolis), The Banff Centre (Banff), The Vancouver Art Gallery (Vancouver), YYZ (Toronto), The New York Video Festival (NYC), The European Media Arts Festival (Osnabruck), Impakt (Utrecht) and The Images Festival (Toronto). Their tape Being Fucked Up (2000) has been awarded prizes from film festivals in Switzerland, Germany and the USA. Bad Ideas for Paradise (2002) was purchased for broadcast by the Canadian Broadcasting Corporation and for the libraries at Harvard and Princeton, and has won prizes from the NYExpo (NYC) and the Onion City festival (Chicago). I am a Conjuror (2004) has received prizes from the Ann Arbor Film Festival and the Onion City Festival.
www.dukeandbattersby.com
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