SYRACUSE, N.Y., Sept. 13-This fall, the Warehouse Gallery presents Senga Nengudi: Lov U, as well as The Other New York: 2012 featuring Jeffrey Einhorn’s new site-specific work A Portrait of the Artist as A Giant Deflating Head, 2012. Both exhibitions are intended for audiences of all ages. All events are free and open to the public.
ABOUT THE EXHIBITION:
Colorado-based Senga Nengudi is a key figure of the Black Arts Movement in the 1970s and 1980s. Known primarily for performance-based art installations, her work focuses on movement and the human body, is multidisciplinary in nature and international in scope, with cultural references to Africa, the African diaspora and Asia. For her new multimedia, performance-based, site-specific solo exhibition Lov U, Nengudi explores the human physical senses from the perspective of the universal subject of love.
Her installation consists of mixed media (photographs, sculptures, videos, writings, sound and ephemeral material). Large photographs of Nengudi and her family in the vault set the tone for myriad definitions of love. Photographs taken by Syracuse community members and SU students accompany Nengudi’s work. A chapbook offers selections of definitions of love that Nengudi collected for this project, while the photography book pays homage to works done by the community that was created for this exhibition under Nengudi’s guidance.
The use of ephemeral material, in reference to life’s transience, has been Nengudi’s signature since the 1970s. A large heart in the main gallery made out of masking tape echoes the exhibitions’ theme. Two videos Hands (2012) and Dance (1986), again refer to the concept of love and to Nengudi’s work as a performance artist and choreographer. The body-as-resource has played a key role in her work since the 1970s, when she was among others who largely shaped today’s contemporary art scene. A recipient of prestigious awards such as the Anonymous Was a Woman Award, the Louis Comfort Tiffany Foundation Award and the 2010 Lifetime Achievement Award, Nengudi’s work is in many major collections including at the Museum of Modern Art in New York City and the Museum of Contemporary Art in Los Angeles, and has been exhibited extensively.
A gallery guide accompanies the exhibition with an essay by Anja Chávez. The catalog will be available at the gallery and online beginning Sept. 25.
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